Animation Un-LOC`d

A personal Blog for Larry Loc to rant and rave about all things animation and videogame. For feedback larry(at)agni-animation(dot)com (and make sure to use a good Subject Line that tells what the email is about)

Monday, November 24, 2008

History of Videogames



One of the byproducts of my History of Videogames is the Video Game Hall of Fame database featuring student generated reports on the games of the industry. It is my hope that the database will be moving onto the server at Laguna College of Art & Design in the near feature.

http://www.agni-animation.com/lcad/gaming/videoheros.html

Saturday, November 22, 2008

It Came From the 99 Cent Store

About a year back I bemoaned what I say as the end of the cheap DVD animation disks. Turns out that it was just a slow down as the short term weak of heart left the field to EastWest DVD and a few other hardy vault robbers.

I have a love/hate thing with EastWest. They are opportunistic and low no budget and often I question the legality of their product. But sometimes they are the only source for animations that are locked away and forgotten in the studio vaults. And then again they churn out a lot of low end anime and 70s crap TV show that might be better off forgotten or only shown by Jerry Beck on Friday night at Comic Con.

That about sums it up for this latest run from the 99 Cent Only store. There were some real gems and a lot of not gem like animations.










Wednesday, November 19, 2008

The Pixar Story Release

The Pixar Story

Released Today
on the

WALL-E (2 & 3 Disc) DVD`s!

Sunday, November 16, 2008

Cartoon Hero No Cartoon



Yesterday I reported on Doug TenNapel`s call for moral integrity of artists. That Art is in fact a noble calling with great responsibilities .

Today I have the pleasure of reporting on one of the bravest artist I know, Tayo Fatunla, Africa News Cartoonist and BBC Worldservice cartoon contributor. I knew him under the name Ed when we were at the Kubert School together 30 some years ago.

He is from Nigeria and at the time I first met him he had been doing a political comic stripe in the national paper of Nigeria for about 3 years (from around the age of 15). Yes he was from one of the ruling families in Nigeria (the U.N. Ambassador from Nigeria came to his graduation) And being from one of the important families may have gotten him it the paper in the first place. But even then he was taking on some heavy subjects that would have scared me when I was 15 years old. Hell they would still scare me today. Family connections only protect you so long. I knew that I was risking my livelihood with each drawing but Tayo was risking his life and still does.

In October Tayo Fatunla was honored in Tourcoing, France with a trophy for his contributions to Press cartoons along with other cartoonists from Scotland and Ireland and France.



Tayo Fatunla`s poster design for the Festival adorned shops, streets and restaurants in various sizes all around Tourcoing. He also held caricature sessions at a local French School and at the Festival.

Congratulations Tayo! You humble me as always with your bravery. For more information on the work of this important artist hero you can see Tayo`s Cartoons on this link: http://www.tayofatunla.com/

Saturday, November 15, 2008

Turning Out For the Worm`s Daddy



Doug TenNapel, creator of Earthworm Jim and Cat Scratch, appeared at Cal State Fullerton yesterday afternoon/night on the subject of Pitching Your Story. Something he has done a lot of. The class presentation dealt more with creating the story than with the pitch but that makes sense because if you do not have a story than your have nothing to pitch.

Doug is tied tightly to the 3 Act form starting with the end message and working next the beginning before creating the second act arena of proof and transition.

He is a great believer in 3 by 5 cards to create the outline before ever starting on thumbnails for a project. Three acts, three cards per act, the backbone of any story can be laid out on nine cards.

He also put forth that the graphic novel is a script that has already been directed, pre visualized. It is a cheaper form of production and can get into the hands of the movie maker much quicker than a script.

Doug also talked to the moral responsibility of the artist as agents of change, a subject not often dealt with in the classroom. Change comes from the artists of the world, not the leaders or solders. He gave the example of the Wedgwood anti-slavery plate as one of the earliest attacks on slavery in this country.

He also put forth that all storetelling is preaching even if the subject of the preaching is that preaching is bad. There is always a message and that message is always delivered in the third act.

At the same time he dealt with the realities of the business side of art. Never forget that there is a commercial side to commercial art. They are not going to make your movie/TV show/etc. if they aren’t going to make money on it. You have to spark their greed to get the chance to play the game.



Toward the end of his presentation Doug got into the pitching process. The goal is not to just get in the door once. The goal is to get invited back. If you are very lucky and very good you are going to only sell maybe 3% of what you pitch. That means don’t kill the room.

  • Think about the guys you are pitching to. Make them conformable to say no to you. Guilt has no place in the pitching room.

  • Shorter is better. Let them ask for more details if they want them. You should be able to state your concept in one paragraph.

  • Too much is not good. Three ideas to pitch per pitch no more. Always lead with your best. There might be an earthquake that clears the building.

  • Ask to be invited back to pitch other ideas. They will say yes and that will stick in their minds.

  • And most important, be prepared. You owe it to all the people who are not going to get through that door because you are already there to do your homework and take advantage of the gift of getting to pitch you ideas.


I like his ideas. I like his delivery, lots of energy and passion. It was a very good event and worth the 50 miles round trip. At the end of the day that is the criteria, was it worth the trip. Yes!

Monday, November 10, 2008

Almost Complete Collection Wartime WB

Looney Tunes Golden Collection Volume 6 is out with all kinds of great features and most but not all of the Schlesinger / Warner Bros. war cartoons.



My favorite is the Martha Sigall commentary on the Schlesinger Christmas parties. I have had lots of this footage from other sources but not with Martha listing the names and tell in the inside stories behind all of her coworkers.

Another killer feature is Russian Rhapsody (Gremlins from the Kremlin) in a beautiful print. Mark Kausler does a great job identifying the studio likenesses of the Gremlins on the commentary track.

Now to what is missing. This is the disk that has the war cartoons and they make a big statement about war propaganda and how important to history it is to show these films as they were originally shown even if they are no longer Politically Correct. And then they leave out films like Bugs Bunny Nips the Nips and Coal Black and de Seban Dwarfs.

Okay, Coal Black is not really about the war, it only deals with war time themes and Tokyo Jokio is dated and unfunny but Bugs Bunny Nips the Nips is prime war propaganda and is left off this disk solely because of a fear of offending. Even after their big disclaimer to the contrary they are ashamed of the Bugs Bunny Seven and refuse to release them to the public. It is good to be ashamed of the racist past of our country. But burying the evidence of the crime is still the act of the guilty.