Intellectual Child Abuse

A couple of weeks back I looked on with horror as the Sunday LA Times recounted Jackson and Spielberg in their preparations to assault a beloved fictional little boy. There is no Social Service protection for Intellectual Property.
When I was making a living in Corporate I sat next to a lady who loved Lotus 1,2,3. I mean loved Lotus 1,2,3 in an unnatural and unhealthy way. She used it for everything. Things that it was not meant for, word processing, posters and display art, spread sheets, graphs everything she wanted to do, she did in Lotus.
Tin Tin in CGI with motion capture? Gods help us. Even with Toon Shading, if they are smart enough to use it, Gods still help us.
What can I say about Spielberg and Jackson? They were both better Filmmakers before they became wildly successful Hollywood Mega Hit Moviemakers. I will take Duel and The Frighteners over E.T. and Lord of the Rings any day of the week. And King Kong, all I can say is that Jackson didn`t try to drowned Rick Baker and then give Baker`s credit and Oscar to an Italian Effects hack like Dino did. His movie was not King Kong, the tragic story of an Ape, it was the story of a girl who hangs out with a giant ape and lots of cool effects animation.
This isn`t just another animation person going postal about Motion Capture, Jackson does Motion Capture right with a whole crew of animators cleaning up after the computer (even if they don`t get any press about their work). This is about taking a project that cries out for loving Hand Drawn Animation in 2-D and running it through Lotus 1,2,3 because that is what you do with everything. Gods protect us from successful cineplex mega hitmakers who send everything through their established animation pipeline like a meat grinder.


1 Comments:
At April 18, 2009 5:18 AM ,
Ryan H. said...
Couldn't agree more Larry!
When I first heard Tin Tin was to be turned into a film (or two), I let yet another sigh out at yet another sigh-inducing unoriginal move by two of Hollyweird's biggest (and overrated) hotshots - Spielberg and Jackson.
Jackson was once an incredibly original director, creating such brilliant works such as Bad Taste, Meet The Feebles, and the goriest film to date - Braindead (aka Dead Alive). A shame to see he now simply adapts others work as such, as he is surely capable of creating or co-creating original works instead of merely adapting (or remaking for that matter).
The Rings trilogy was immensely overrated, as are its CGI production company WETA - far too many shots simply look fake. The eye does not lie... As for King Kong, the less said the better.
Back to Tin Tin, why not, like you say, simply make this film/s with good old (and well-proven) Hand Drawn Animation in 2-D? Personally, I'm sick off all these 3D CGI / Motion Capture films, and such a 2D extravaganza would indeed be a breath of fresh air (even after all these years). Or, just make the bloody thing 'in the flesh', and have Simon Pegg (instead) AS Tin Tin...
Spielberg, by the way, is at his best when NOT making big budget popcorn flicks such as this. See MUNICH, SCHINDLER'S LIST, and the underrated EMPIRE OF THE SUN for proof. And DUEL too!
Actually, why not just the let the damn French make a film versions? With the success of such recent films as "Les triplettes de Belleville" (2003) and "Persepolis" (2007), it would seem a good (and fitting) idea. Then again, they did have a Tin Tin animated series back in 1991...
I think I'll just go back and watch "Watership Down" (1978), "Vampire Hunter D" (2000), or even "Footrot Flats: The Dog's Tale" (1987)!
- Oh, and thanks for adding the Grimes fan site link, Larry! Much appreciated. :)
(Imagine a Rick Grimes 5-min. short film... WOW!)
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