Tale of a Tail, Bronze Casting & UPA

Tale of a Tail:
Ok, this is a subject that can get me in a lot of trouble if I don`t word this post just right. I am currently working on the tail construction for my student`s lizard custom. Here is the attachment cast of her backside with the tail attachment bracket laid over it. The beginnings of the tail assembly is below.
There is a spring at the base of the spine for a weight bounce of the tail with vertebra bars for cable attachments to make the tail swing for counterbalance (Right leg forward tail to the left and so on). I think I got through that one without getting in trouble. The trick is to make something that moves naturally and does not look machined. More on this later.
Gargoyle Stuck in the Mold:

Gargoyle in wax

With eyes and nose masked before sandblasting


First layer of Patina
I was a bit pissed that it took so long to get this piece cast. I had the investment done and then it set for 2 weeks because of one screw up or another which throw me way off because I needed the bronze from the gating before I can invest my next piece. (We turn in the cleaned up gating and that cuts down on the cost of the bronze for our next cast).
UPA:

My friend Tee Bosustow was in to talk to my students this last Wednesday about his father`s studio, his UPA documentary project and his new Internet based film festival. Cool projects all. I taped our talk and will be editing it later, I will put up some of the stuff at a later date. We covered a lot of interesting stuff relating to UPA, one of the most important animation studios ever, a studio that is still influencing design and animation today. Even thou most of the people don`t know where the influence is coming from.







