Animation Un-LOC`d

A personal Blog for Larry Loc to rant and rave about all things animation and videogame. For feedback larry(at)agni-animation(dot)com (and make sure to use a good Subject Line that tells what the email is about)

Thursday, July 30, 2009

Hard Drive Over the Plate



I have been playing around with silver electro-plating of late. Here is an example of a bronze casting of the Great God Pan. On the right is a silver plated bronze head of the same casting. I figured out how to maintain the patina during the plating process. The process I am working with is food safe, not that I am going to be sucking on the head of Pan any time soon. But I also silver plated the inside of my cup. Bronze and whine do not mix very well as the Romans found out.

Dog Days (Daze)



I picked up a copy of Bill Plympton`s Dog Days DVD at Comic Con. I have always been a big fan of Bill`s work. But his dog cartoons are something special. While I was at the booth Bill ask me to write a short review of Dog Days. I watched the complete DVD Thursday night and Friday morning and wrote the following review which I share here:

Bill Plymton’s dog is a perfect cartoon character: Charlie Brown in sycophantic manic dog drag. Dog Days collects the first three of Bill’s twisted and hysterical dog shorts along with The Fan and the Flower, and other notable Plympton short animations, commercials and music videos. A very enjoyable change from Hollywood studio fare.

Larry Loc
Animation Educator & Author of Animation on a ShoeString


If you get a chance you should pick up a copy over at www.plymptoons.com or where ever Bill is appearing.

Tuesday, July 28, 2009

Have You Found The Yellow Sign:

I picked up The Yellow Sign DVD at the Cthulhu Corner booth at Comic Con. Big fan of the writings of Robert W. Chambers and a bit of an expert on his life. It is a mid length film, not quite a feature, by Aaron Vanek, a filmmaker I worked with in 1998 and 1999. I did talk to him an awful lot about Chamber`s King in Yellow when we were working on Return to Innsmouth but I was surprised and pleased to get both a call out in the liner notes and a special thanks in the credits. Thanks for the thanks Aaron, I enjoyed the movie.





Monday, July 27, 2009

Reader Comment

Here is a comment on my post about Ric Estrada from my friend Art Leonardi:
I worked with Ric at H&B. I considered him one of my dearest friends. We had many talks together over the years. Was always impressed by his wonderful talent. Very sorry that I lost touch with him. Thought of him many many times and can still hear his voice. My warmest regards to his family.

Arthur Leonardi

Here is the web site for the movie that Ric`s son Seth is producing: http://www.ricestradamovie.info/

Sunday, July 26, 2009

Passing of The Great


(February 26, 1928 - May 1, 2009)

My friend and teacher Ric Estrada has passed away after a 14 year battle with cancer. Born in Cuba, Ric had a remarkable life. He went to the University of Havana with Fidel Castro and was sponsored for emigration to the United States by Ernest Hemingway, who was a close friend of Ric`s journalist uncle.

Ric was a comic book artist, a cartoonist, a commercial artist, an animator, an educator and a movie cameraman, a function he filled on the movie The Old Man and the Sea at the request of his friend Hemingway.

Ric was an amazing artist. He would stand at the large pad of drawing paper at the front of the classroom with a pencil in one hand and a Japanese brush marker in the other. He would casually pencil with one hand and ink with the other all the time explaining the thought process behind the drawing.

The story I heard was that he was a charter member of the Edgar Cayce Society of New York City. Not sure about that. But Ric was in the bohemian fast track. He did hang with Hemingway and his crowd and was in the heart of the hard drinking world of New York City art in the 50s.

Ric`s life took a downward turn when he was working in Berlin. He succumbed to alcoholism in the midst of a divorce from his first wife. His downward spiral accelerated with the loss of his job and he found himself one night on his knees, in the apartment that he was scheduled to he evicted from in the morning. He prayed for divine help. Which came in the form of Mormon missionaries knocking on his door.

Ric was a devout Mormon for the rest of his life and an elder of the church in his later years. He never drank again. I have found that most overly religious western types share a common trait of closed-minded condescending superiority that makes rational discussion impossible. Not the case with Ric.

He had found something that worked for him. His prayer had been answered. He no longer drank. His life was turned around but he felt no need to export his beliefs to every single person he met. He seemed to know that other people had other paths.

My first year at the Kubert School I use to get dragged into long religious discussions with Ric: dragged by Tom Yeates. Tom would get the ball rolling but then get in over his head and run out of ammunition, not having a religious upbringing. Knowing that I had a god scared fundamentalist Christian childhood; Yeates would run down 3 flights of stairs at the Old Baker Mansion and drag me and my verse and chapter up stairs to back up his points against Ric.

I hated religious discussions at that time of my life because of the mental abuse of my childhood and because of the condescending closed minds of the fanatics that normally started such exchanges to give themselves the chance to preach. I hated it when fanatic retreated to I`ll pry for you when their logic was cut to ribbons by someone who really knew their holy book. Ric was never like that. He had an open and inquisitive mind, agile, quick and logical. And he never seemed to need outside conformation in the from of converts to reinforce his own beliefs.

I was not one of the best illustrators at the school. I was in my 20s before I decided that I had to be an artist. So I had a hard time with portfolio envy at the Kubert School. It seemed to me that everybody was a better artist than me. One of the most important things Ric did for me was his statement: I’m not worried about your future Larry, you are very creative, anybody can learn to draw but no one can learn to be more creative then they are.

He taught levels of competency at every phase of the commercial art process. If they pay for rough pencils you must be able to deliver good rough pencils. If they want to pay for finished pencils you need to be able to deliver good finished pencils. The artist should be able to stop at any stage of the project and have a professional product. The customer is always going to try to get more art for less money. As an art it is your job to give value for the dollar but you owe it to yourself and all other artist not to sell your skills cheaply.

Ric is survived by his wife, 9 children, the professionals who worked with him and a lot of his students who love and respect him. His son Seth is working on a documentary about Ric`s life. I will have more information later about this project.

Tuesday, July 21, 2009

Comic Con Presentation:

I am only doing one presentation at Comic Con this year. Long painful story with knifes in backs, broken rules, the bum`s rush and low intrigue.

Animation on a ShoeString
Thursday, JULY 23

2:00-3:30
ROOM 30CDF

Thursday, July 9, 2009

26 Years on the No Buy List

I read somewhere that 26 years is the average time that a customer will hold a grudge against a company that they feel has used them poorly. I think the short time span has to do more with the arbitrary cut off point, physical death. I know that I plan to hold grudges against certain companies way after the grave, but since I will no longer have control of my finances I can understand that the companies don`t caring about my feelings in the matter once I shake off the mortal coil and condenser. What I don`t understand is the lack of care shown by certain companies before the grim ripper stripes us of our fiduciary duties?

Epson is already on the list of companies I will never buy from because of their ink counter computer printer scheme that made it impossible to use all the ink in an ink cartage or refill that cartage because the ink counter printed electronically on the cartage that is was empty/no longer good/unsable even if there is still ink in it, which there always was. These screw the customer ideas must sound so good in the bean counter meetings.

Ford is big on my hate parade (all of that model is defective, therefore we don`t have to fix it). And I don`t have to buy one of your damn cars ever again. Why oh why are Americans buying foreign cars? Why do you tools need a bail out? The customer is always ripe for a screwing.

Add to the list of companies I will never buy from again, Canon. The evil scheme, Waste Ink Absorber Full message after a certain number of prints (about 4 years) have been made. This message comes up and the printer is useless, finished, has to be replaced even thou it is still able to print if you can some how turn off the damn error. Planned obsolesces. Make them replace their printer. More sales for us.

I am in the middle of the rush up to Comic Con and I have wasted 2 days on this piece of shit manufactured in problem. I have found thousands of other people pissed off about this problem out on the Internet. I have found, after long search, a utility that is said to reset the counters that turns off the printer (of course it does not work) but the one thing I have not found is any mention of this setting in the manual or on the Canon web site. Time bomb, your screwed, buy another printer.

Canon, intercourse yourselves! I am going out and buying a new printer today, just like you planned, but it won`t be one of yours. I will never buy another Ford, Epson or Canon product in this or any other carnation. You have made the list Canon and I just might last longer than 26 years. The men in my family most times make 99.